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Notes from David Yang

How can Schoenberg be easier than Mozart?

A thoughtful reader challenged my observation that the Mozart is more difficult than the Schoenberg.

Notes from David Yang

A tribute to the music teacher

Most of us have had kind and generous teachers that left a lasting impression.

Notes from David Yang

A Conversation with Lawrence Schoenberg about his father, Arnold

On Tuesday, I had the privilege to discuss the composer Arnold Schoenberg with his son, Larry.

Notes from David Yang

Mozart’s Divertimento, Figaro, and the Don

Buckle your seat belts! The program consists of the Schoenberg String Trio and Mozart’s Divertimento in Eb.

Notes from David Yang

Louis Kahn, the architecture of music, and the Cret String Trio, Part II

Sometimes the process of figuring out the right question is as important as the answer. 

Notes from David Yang

The maiden voyage of the Cret String Trio, Part I

How does one come up with a name for a new ensemble? There are composers, artists, Institutions, violin makers, myth-related names,, or sometimes a group is named after a member of the ensemble, but oddly, architects haven’t yet made the cut.

Notes from David Yang

Jon Deak and “The Jury” flies again

For composers, it is often easier to get a first performance of a new piece than a second.

Notes from David Yang

Saul Steinberg, the evolution of notation, and the musical line

It is a weird thing, writing down music, if you think about it.

Notes from David Yang

Cellist Eliana Razzino Yang in conversation with Beth Clary

A peek into the mind of a musician embarking upon her career.

Notes from David Yang

Baroque violinist Cynthia Roberts

Cynthia and I overlapped in New York in the 90s and she came to NCMF in the early years

Notes from David Yang

Everything is cool when you're part of a team

Recently I’ve been chewing over the joy I take in this profession due to my love of music vs. the satisfaction I take in the process

Notes from David Yang

“The score stops here.” Viola martyrs - correlation or causation?

Thank you so much for all your emails flagellating my beloved instrument.

Notes from David Yang

What's the difference between a viola and a trampoline?

Art expresses our deepest emotions. Ecstasy and grief, tranquility, bustle, anger, even frustration

Notes from David Yang

John McKean and falling in love with the harpsichord

When you were thirteen, what did you dream about doing when you grew up?

Notes from David Yang

Baroque trumpet player Perry Sutton and "closeted optimism"

Life is like that sometimes – everything can be fine one minute and then suddenly go all topsy-turvy.

Notes from David Yang

Klezmer and the Art of Imitation (chopsticks provided)

I enjoy when instruments employ artifice to imitate non-instruments:

Notes from David Yang

Lessons for musicians from actors

Musicians strive to play expressively, whereas actors can communicate directly with expression.

Notes from David Yang

A conversation with Solenne Païdassi

I’m still coming down from the summer– Schoenberg, Shostakovich, “The Jury,” everything and everyone who turned up

Notes from David Yang

Summer 2023 - a gallery

By all accounts, I think I can report that summer 2023, our twenty-second season, was a smashing success.

Notes from David Yang

Second Sighting of "The Jury"

It was as if I were witnessing the birth of a new composition in real time, not unlike a musical version of watching Harry Potter step out from behind the Cloak of Invisibility. 

Notes from David Yang

Pay-What-You-Can

For the final concert of Summer 2023 with the world premiere based on Rhina's poem you can pay what you want - one dollar, one hundred dollars.

Notes from David Yang

Schoenberg’s String Quartet No. 2

Arnold Schoenberg’s Second String Quartet is widely considered to be a visionary work.

Notes from David Yang

Shostakovich String Quartet No. 13

Shostakovich’s late quartets provide one of the most intimate confessionals of personal feelings ever vouchsafed by a composer in his music.

Notes from David Yang

Multiple Viewings

It is the anticipation of knowing what’s coming that might be classical music’s most sublime pleasure.

Note from the NCMF Board President

NCMF needs volunteers for this summer

Since its inception, NCMF has been brought to life by volunteers. The time has come for more volunteers to help. Perhaps you?

Help ensure our continued success

NCMF relies on the assistance of corporations, foundations, and most importantly, you.

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