Musings

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Notes from David Yang

Pianist Ilya Poletaev, a musician’s musician

This summer, we’ll be performing piano quintets by Schumann (happy!) and Schnittke (maybe not so happy…).

Notes from David Yang

Summer 2024: July 29th to August 11th - an overview

Brahms, Schumann, Kurtag, Schnittke, Ligeti, Liszt, a world premiere by Castillo with theremin, puppet shows, oh my!

Notes from David Yang

Joseph Haydn and the art of happiness

Haydn's music reflects a time of great political and social upheaval.

Notes from David Yang

Alfred Schnittke and the art of grief

This summer we’ll feature two piano quintets that are a study in contrast.

Notes from David Yang

Festival artists, summer 2024

Our roster of artists for this summer along with some of their favorite meals. Is there a better way to get to know someone?

Notes from Alessandra Yang

Reflections of a music student

Some of you may know that I took a gap year after graduating from high school in 2022.

Notes from David Yang

Don't take my word for it

I’ve said about all I can about the Mozart and Schoenberg trios and how great they are.

Notes from David Yang

How can Schoenberg be easier than Mozart?

A thoughtful reader challenged my observation that the Mozart is more difficult than the Schoenberg.

Notes from David Yang

A tribute to the music teacher

Most of us have had kind and generous teachers that left a lasting impression.

Notes from David Yang

A Conversation with Lawrence Schoenberg about his father, Arnold

On Tuesday, I had the privilege to discuss the composer Arnold Schoenberg with his son, Larry.

Notes from David Yang

Mozart’s Divertimento, Figaro, and the Don

Buckle your seat belts! The program consists of the Schoenberg String Trio and Mozart’s Divertimento in Eb.

Notes from David Yang

Louis Kahn, the architecture of music, and the Cret String Trio, Part II

Sometimes the process of figuring out the right question is as important as the answer. 

Notes from David Yang

The maiden voyage of the Cret String Trio, Part I

How does one come up with a name for a new ensemble? There are composers, artists, Institutions, violin makers, myth-related names,, or sometimes a group is named after a member of the ensemble, but oddly, architects haven’t yet made the cut.

Notes from David Yang

Jon Deak and “The Jury” flies again

For composers, it is often easier to get a first performance of a new piece than a second.

Notes from David Yang

Saul Steinberg, the evolution of notation, and the musical line

It is a weird thing, writing down music, if you think about it.

Notes from David Yang

Cellist Eliana Razzino Yang in conversation with Beth Clary

A peek into the mind of a musician embarking upon her career.

Notes from David Yang

Baroque violinist Cynthia Roberts

Cynthia and I overlapped in New York in the 90s and she came to NCMF in the early years

Notes from David Yang

Everything is cool when you're part of a team

Recently I’ve been chewing over the joy I take in this profession due to my love of music vs. the satisfaction I take in the process

Notes from David Yang

“The score stops here.” Viola martyrs - correlation or causation?

Thank you so much for all your emails flagellating my beloved instrument.

Notes from David Yang

What's the difference between a viola and a trampoline?

Art expresses our deepest emotions. Ecstasy and grief, tranquility, bustle, anger, even frustration

Notes from David Yang

John McKean and falling in love with the harpsichord

When you were thirteen, what did you dream about doing when you grew up?

Notes from David Yang

Baroque trumpet player Perry Sutton and "closeted optimism"

Life is like that sometimes – everything can be fine one minute and then suddenly go all topsy-turvy.

Notes from David Yang

Klezmer and the Art of Imitation (chopsticks provided)

I enjoy when instruments employ artifice to imitate non-instruments:

Notes from David Yang

Lessons for musicians from actors

Musicians strive to play expressively, whereas actors can communicate directly with expression.

Notes from David Yang

A conversation with Solenne Païdassi

I’m still coming down from the summer– Schoenberg, Shostakovich, “The Jury,” everything and everyone who turned up

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