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Notes from David Yang

Summer 2023 - a gallery

By all accounts, I think I can report that summer 2023, our twenty-second season, was a smashing success.

Notes from David Yang

Second Sighting of "The Jury"

It was as if I were witnessing the birth of a new composition in real time, not unlike a musical version of watching Harry Potter step out from behind the Cloak of Invisibility. 

Notes from David Yang

Pay-What-You-Can

For the final concert of Summer 2023 with the world premiere based on Rhina's poem you can pay what you want - one dollar, one hundred dollars.

Notes from David Yang

Schoenberg’s String Quartet No. 2

Arnold Schoenberg’s Second String Quartet is widely considered to be a visionary work.

Notes from David Yang

Shostakovich String Quartet No. 13

Shostakovich’s late quartets provide one of the most intimate confessionals of personal feelings ever vouchsafed by a composer in his music.

Notes from David Yang

Multiple Viewings

It is the anticipation of knowing what’s coming that might be classical music’s most sublime pleasure.

Note from the NCMF Board President

NCMF needs volunteers for this summer

Since its inception, NCMF has been brought to life by volunteers. The time has come for more volunteers to help. Perhaps you?

Notes from David Yang

Haydn and the early embers of romanticism

In 1772, the rationalism of the Age of Enlightenment ran head-on into early romanticism.

Notes from David Yang

Frontiers of the early 20th Century with Ysaÿe and Kreisler

If the concerto represents the individual against massed forces, unaccompanied works feel like an internalization of this struggle within an individual.

Notes from David Yang

This summer's program (2023)

Thanks to an older kid in my orchestra back in 1982, I attended a chamber music camp in Vermont.

Notes from David Yang

Another new board member!

 "Looking back," Paul told me, “I would not have lived the same life without all this music because it is so important to me.”

Notes from David Yang

Composers and Cars

If Mozart drove a car, what kind of car would he have? (One thinks about such things when sitting on a transcontinental flight.)

Notes from David Yang

Obsession:  A Dark Plunge into Janáček’s Second Quartet

One of the most original composers of the 20th Century, Janáček had a hot-blooded disposition and a pronounced appetite for the opposite sex.

Notes from David Yang

Road Trip: Part II - Italy

After traveling through Belgium, Holland, Germany, and Switzerland, we finally crossed the Alps into Italy

Notes from David Yang

NCMF Awarded Cultural Sector Recovery Grant

Have you ever wondered how exactly we keep this thing running? And...some great news!

Notes from David Yang

Favorite Places

Musicians travel - a lot - so I asked this summer’s artists to list a favorite place or two in the world.

Notes from David Yang

The sound of dawn

This winter, I’ve been heading out on pre-dawn rides to train for what was supposed to be a slightly insane three-day, 400-mile bicycle trip

Announcements

NCMF Annual Report for 2022

For 21 years, the Newburyport Chamber Music Festival has worked to fulfill its vision of community-based chamber music concerts and events with world-class artists

Notes from David Yang

A new board member

I’m delighted to announce we have a new board member, Maryellen Moreland.

Notes from David Yang

Winter Baroque ‘22: a portfolio

The feedback from NCMF Winter Baroque has been rolling in and is overwhelmingly positive.

Notes from Alessandra Yang

How to "Bach" (+performance)

In January of 2021, I shared the process of how my quartet learned a Beethoven string quartet

Notes from David Yang

A special bonus on the Winter Baroque concert

Thomas Baltzar’s jewel of a piece, his Prelude, packs more in two minutes than some composers stuff into an entire symphony.

Notes from David Yang

Why is Eliana using two different cellos for the NCMF Winter Baroque concert?

What is the difference between a modern and "historic" cello and why use one over another?

Notes from David Yang

Bach and the cello suites, Part II

I’ve returned to the tried and true holiday formula of not programming anything composed after 1750.

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