Musings

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Notes from David Yang

Obsession:  A Dark Plunge into Janáček’s Second Quartet

One of the most original composers of the 20th Century, Janáček had a hot-blooded disposition and a pronounced appetite for the opposite sex.

Notes from David Yang

Road Trip: Part II - Italy

After traveling through Belgium, Holland, Germany, and Switzerland, we finally crossed the Alps into Italy

Notes from David Yang

NCMF Awarded Cultural Sector Recovery Grant

Have you ever wondered how exactly we keep this thing running? And...some great news!

Notes from David Yang

Favorite Places

Musicians travel - a lot - so I asked this summer’s artists to list a favorite place or two in the world.

Notes from David Yang

The sound of dawn

This winter, I’ve been heading out on pre-dawn rides to train for what was supposed to be a slightly insane three-day, 400-mile bicycle trip

Announcements

NCMF Annual Report for 2022

For 21 years, the Newburyport Chamber Music Festival has worked to fulfill its vision of community-based chamber music concerts and events with world-class artists

Notes from David Yang

A new board member

I’m delighted to announce we have a new board member, Maryellen Moreland.

Notes from David Yang

Winter Baroque ‘22: a portfolio

The feedback from NCMF Winter Baroque has been rolling in and is overwhelmingly positive.

Notes from Alessandra Yang

How to "Bach" (+performance)

In January of 2021, I shared the process of how my quartet learned a Beethoven string quartet

Notes from David Yang

A special bonus on the Winter Baroque concert

Thomas Baltzar’s jewel of a piece, his Prelude, packs more in two minutes than some composers stuff into an entire symphony.

Notes from David Yang

Why is Eliana using two different cellos for the NCMF Winter Baroque concert?

What is the difference between a modern and "historic" cello and why use one over another?

Notes from David Yang

Bach and the cello suites, Part II

I’ve returned to the tried and true holiday formula of not programming anything composed after 1750.

Notes from David Yang

Aldo Abreu, recorder

There is a new look for Winter Baroque this year (tickets go on sale today!).

Notes from David Yang

Bach and the cello suites, Part I

There are certain very specific and individualized sounds we associate with childhood.

Notes from David Yang

Thank you

After the call informing me that one of the artists had tested positive...

Notes from David Yang

Covid 19 scuttles festival 2022

It seems that Covid 19 had one last surprise in store for us for the summer.

Notes from David Yang

First spotting of the “The Jury”

There were a few weeks when Jon Deak emailed me a page of the manuscript every day.

Notes from David Yang

A Conversation with Clancy Newman

I love playing with Clancy and also just hanging with this terrific musician and human being.

Notes from David Yang

Shostakovich, Quartet No. 2, and the Shadow of Stalin

"Even if they cut off both my hands and I have to hold my pen in my teeth I shall go on writing music."

Notes from David Yang

Mozart's "Dissonance"

There is a transcendent moment near the beginning of this quartet that makes my heart leap in my chest.

Notes from David Yang

A new board member

Running a music festival is very much a group effort. Please welcome our newest board member.

Notes from David Yang

2022 with Mozart, Shostakovich, Webern, Deak, and Schoenberg

Summer 2022 features arguably the most perfect of Mozart’s perfect quartets, the C Major.

Notes from David Yang

Poet-in-Residence Rhina P. Espaillat

Does anyone in Newburyport really need an introduction to the National Treasure that is Rhina?

Notes from David Yang

Composer-in-Residence Jon Deak

I met Jon about twenty years ago over breakfast on the Upper West Side.

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